The ExpertShield Glass Screen Protector is the perfect Sony a7iii accessory, as it diminishes the worry of your glass screen bubbling up under your screen protector. Although – as is customary with Sony’s lenses – it uses the focus-by-wire system. Multicoated and featuring 12 elements in 8 groups, the 35mm f/1.4’s optical performance is nothing less than superb. That being the case, zooming to a different focal length is not a valid alternative to simply moving closer or further away from the subject. Sony FE 20mm f/1.8 G. Earlier this year Sony launched the Sony FE 20mm f/1.8 G lens. All images published at lensguide.io are either ours, authorized by the photographer, or published under creative commons commercial use license. Especially if you can buy a perfectly good lens with a maximum aperture of, say, f/4 or f/5.6 for a fraction of the price – as indeed is often the case. Usable on 16-35 f4 with a step up ring but the 12-24 has no filter threads so not an option there. Everything got even better when the started making autofocus lenses for Sony E. One of the best is the classic 85mm f/1.4, which costs a third of that of the Sony G Master. First though, let’s take a look at a bunch of the main contenders – covering options for every budget. The Sony FE 50mm f1.8 Lens is designed for photographers and videographers looking for a fast, full-frame prime. In itself, though, this aperture is also something of a selling point; as most lenses of such a wide focal length tend not possess overly impressive light-gathering abilities. Indeed it’s a truly great lens on every front. Since the Sony a7iii is a touch screen, the performance quality can get degraded rather quickly if the proper protection is not used on it. To be sure, ultra-wide angle lenses have their legitimate uses, and for certain professionals working in specialized areas of photography (real estate being just one obvious example) they are essential tools. Seen in this light, Tamron’s offering is a very serious contender for the title of best wide angle lens for the a7III – at any price point. For some photographers that will be the deal breaker. And for those trying to achieve a shallow depth-of-field, fast maximum aperture takes on a whole extra degree of importance when considering wide angle lenses. Need to shoot handheld in low-lighting conditions? One for my 50mm and 28-70mm lens for my Sony a7iii. I blog and publish articles about camera lenses here at lensguide.io. Here's a lens filter size chart for Sony E Mount and A Mount lenses. Of course these Sony “Zeiss” lenses are not actually made in Germany by Zeiss, but instead under-license in Southeast Asia by Sony. One reason that prime lenses are often a better investment than zooms is simply because they force the user to do the legwork necessary to get a better shot, rather than relying on a lazy change in focal length via a zoom. What’s more, the Tamron is sturdily built and fully weather sealed (although precisely how it measures up to the GM on this front is not something we can realistically afford to test). With that said, zooms are of course very handy. Do you have any lenses you would recommend? The 16-35mm’s advantages don’t end with low light capabilities, however; in addition to a faster maximum aperture, you also get both superior optics and sturdier build, not to mention the ability to use filters (something that’s notably missing from the 12-24mm). As a general rule, the faster the maximum aperture a lens offers, the higher the asking price. With their highly distorted and dominant perspective, it’s easy to see why; often the resulting photo becomes more about the lens than about either the subject or the skill of the photographer. Thankfully, though, Zeiss has managed to keep weight rather more under control than bulk. Categories: Filters, Lenses Tags: Sony Last updated about 11 months ago // Originally published about 11 months ago Sony FE 50mm f1.8 Lens. Required fields are marked *. Bokeh, too, is far superior here; owing to a full 11 aperture blades. Even at relatively small apertures. ; if you’ve got the self-control, it needn’t be a problem at all. In fact the 16-35mm f/2.8 is considerably more expensive than the FE 12-24mm f/4 (above), despite offering a shorter angle of view. The only exceptions being moderate wide angle lenses – such as a 28 or 35mm lens – with very fast maximum apertures. The lenses you choose to keep in your kit need to be functional, practical, and the best that there is to give you the full potential of your camera. However, you will want to double check your copy to make sure it is working right since those low prices don’t come with the best quality control. 281 g Click here for the latest price. Sony FE 90mm f/2.8 Macro G OSS ($1,098): Perfect macro lens for Sony a7RIII! But as this is a lens that will largely appeal to landscape photographers – and landscape photography rarely calls for a fast maximum aperture – this is unlikely to be of real concern to the majority of potential users. If you’ve got room in your budget for a single lens after purchasing the A7III, Tamron’s 28-75mm F/2.8 Di III RXD is the one to get. For obvious reasons, a lens that produces smooth bokeh is usually more highly prized than one that does not. Arguably 28mm is a much more convenient focal length for daily use than more extreme wide angles. And here the task is made more difficult still by the fairly slow maximum aperture of f/4. Best Wide Angle Prime Lenses for Sony a7 III. Your email address will not be published. All in all, this is a fantastic wide angle lens that offers stunning resolution and image quality, lovely bokeh, and performs beautifully in low light. 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